Wednesday, 29 July 2015
Tuesday, 28 July 2015
Saturday, 25 July 2015
Monday, 20 July 2015
Saturday, 18 July 2015
Case Study 1: Jamie Thraves
Budget:£100,000 budget
Time it took to shoot: 3 days
Budget: £200,000
Wednesday, 15 July 2015
Friday, 10 July 2015
Case Study: Michael Jackson
Michael Jackson was born on 29th August 1958 and died on 25th June 2009, he was an American singer, songwriter, record producer, dancer, and actor. Called the King of Pop, his contributions to music and dance, along with his publicised personal life, made him a global figure in popular culture for over four decades.
The eighth child of the Jackson family, he debuted on the professional music scene along with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5 in 1964, and began his solo career in 1971. In the early 1980s, Jackson became a dominant figure in popular music.
Rock With You - 1979
The unusual use of lighting and costuming is used to express his emotions of love and affection. His less-is-more approach is what makes this video so legendary as it's just him singing the song in a microphone with a mixture of long shots, mid shots and close ups.
Billie Jean - 1982
The following year, Jackson took less of a subtle approach with his signature moonwalks. This video told a story which amplified the meaning of the lyrics. With detectives following him, obviously looking for evidence to prosecute him, it seems as if this video mirrored what he was actually going through in his actual life- or at least he felt that way.
Thriller - 1983
Budget: $500,000
Jackson didn't have to pay for the video because he made a deal with MTV and Showtime which covered the costs. Showtime got to air a one hour special with the 'making of' documentary and the 14-minute film before it was broadcasted anywhere else.
This music video is considered the most famous of all time, the Library of Congress added it to its National Film Registry in 2009. The video was a cultural milestone introducing:
- elaborate choreography
- costumes and dialogue
- the concept of the long-form music video, where a mini-movie was made for the song, then edited into a short version for the song
The video won the Best Performance Video award, alongside Best Choreography and Viewer's Choice at the first MTV Video Music Awards in 1984.
Its famous graveyard dance started the trend of group dance scenes in pop videos.
Overall, Michael Jackson used his videos to reinvent his image, tell stories and address serious issues.
The eighth child of the Jackson family, he debuted on the professional music scene along with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5 in 1964, and began his solo career in 1971. In the early 1980s, Jackson became a dominant figure in popular music.
Rock With You - 1979
The unusual use of lighting and costuming is used to express his emotions of love and affection. His less-is-more approach is what makes this video so legendary as it's just him singing the song in a microphone with a mixture of long shots, mid shots and close ups.
Billie Jean - 1982
The following year, Jackson took less of a subtle approach with his signature moonwalks. This video told a story which amplified the meaning of the lyrics. With detectives following him, obviously looking for evidence to prosecute him, it seems as if this video mirrored what he was actually going through in his actual life- or at least he felt that way.
Thriller - 1983
Budget: $500,000
Jackson didn't have to pay for the video because he made a deal with MTV and Showtime which covered the costs. Showtime got to air a one hour special with the 'making of' documentary and the 14-minute film before it was broadcasted anywhere else.
This music video is considered the most famous of all time, the Library of Congress added it to its National Film Registry in 2009. The video was a cultural milestone introducing:
- elaborate choreography
- costumes and dialogue
- the concept of the long-form music video, where a mini-movie was made for the song, then edited into a short version for the song
The video won the Best Performance Video award, alongside Best Choreography and Viewer's Choice at the first MTV Video Music Awards in 1984.
Its famous graveyard dance started the trend of group dance scenes in pop videos.
Overall, Michael Jackson used his videos to reinvent his image, tell stories and address serious issues.
Sunday, 5 July 2015
Thursday, 2 July 2015
Audience Reception Theory
Audiences receive and respond to texts very differently. The different effects generate varied responses. It is a way to characterise and group together different audience (consumer) interpretations
Stuart Hall created the Encoding Decoding Theory: producers encode meaning/ ideology into texts which audiences decode. Audiences are active in their interpretations and can accept/ reject the producers message.
Rihanna - FourFiveSeconds
Preferred Reading: the target audience (massive fans) would think the music video really compliments the song
Negotiated Reading: the secondary audience may think the song is nice but don't understand the meaning of the video
Oppositional Reading: parents would think the artist is dressed inappropriately with her low plunge top, so it causes us to focus on her sexuality rather than her talent
Iggy Azalea - Bounce
Preferred Reading: the target audience (massive fans) would think the style of the music video
Negotiated Reading: the secondary audience may like the video but don't understand how it correlates with the song
Oppositional Reading: parents would think that women are degraded to sexual objects with the provocative choice of clothing, bad influences on their children
Dolce & Gabbana
With certain campaigns encouraging consumers to buy the brand's product, this is how various audiences would react:
Preferred Reading: if you buy it you'd feel sexy whether you're a man or woman
Negotiated Reading: the viewer may like the perfume but doesn't like the brand's messages of feeling sexy
Oppositional Reading: the viewer doesn't like the perfume or the brand because it demoralises/ sexualises women (feminist view)
Stuart Hall created the Encoding Decoding Theory: producers encode meaning/ ideology into texts which audiences decode. Audiences are active in their interpretations and can accept/ reject the producers message.
Encoding and Decoding Music videos
The target audience will always have a preferred reading. They accept all messages and decode the text in the way that was intended. Usually the secondary audience will decode a negotiated reading and parents/ audiences who hate the music genre will have an oppositional readingRihanna - FourFiveSeconds
Preferred Reading: the target audience (massive fans) would think the music video really compliments the song
Negotiated Reading: the secondary audience may think the song is nice but don't understand the meaning of the video
Oppositional Reading: parents would think the artist is dressed inappropriately with her low plunge top, so it causes us to focus on her sexuality rather than her talent
Iggy Azalea - Bounce
Preferred Reading: the target audience (massive fans) would think the style of the music video
Negotiated Reading: the secondary audience may like the video but don't understand how it correlates with the song
Oppositional Reading: parents would think that women are degraded to sexual objects with the provocative choice of clothing, bad influences on their children
Dolce & Gabbana
With certain campaigns encouraging consumers to buy the brand's product, this is how various audiences would react:
Preferred Reading: if you buy it you'd feel sexy whether you're a man or womanNegotiated Reading: the viewer may like the perfume but doesn't like the brand's messages of feeling sexy
Oppositional Reading: the viewer doesn't like the perfume or the brand because it demoralises/ sexualises women (feminist view)
Wednesday, 1 July 2015
Editing to the Beat
Today we had to edit a video to the beat of the song we were given, in order to get a substantial amount of practice before editing our real music video. At first editing was challenging as I had to get used to Premiere Pro when editing a music video, I've only had experience in creating a thriller opening the previous year. After a while I got used to the task and it became easier for me to deal with. I learnt that editing to the beat is very important because the video has to be in-sync with the music, if not, it can look out of beat, poorly edited and rushed.
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